AKA APERTURE

                                                  ”Nothing is true. Everything is permitted” Blood Shed in PARIS Set in a once-magnificent Paris, Assassin’s Creed Unity plunges into the terror of the 1789 French Revolution and features the most dense and immersive Assassin’s Creed city ever created. Through the streets of Paris, the starving inhabitants are set to take up arms for freedom and equality. In this time of chaos and brutality, a young man named Arno, wounded by the loss of those he loved, sets on a deadly path of redemption. Arno’s pursuit throws him into the middle of a ruthless struggle for the fate of a nation, and transforms him into a true Master Assassin. Players will carve their way through a stunning, full-scale open-world Paris, thanks to the power of the new Anvil engine, rebuilt from the ground up for new generation conso...

Time is a circle, just like Matthew McConaughey said in True Detective. But it isn't flat. It's spherical. McConaughey’s renaissance continues: He’s required to play practically every emotional note imaginable, and he hits them all. Hathaway isn’t quite as convincing as a scientist, and she also gets the movie’s worst speech, but she’s passable and doesn’t ruin the movie. For all its flaws, Interstellar is required viewing for anyone who appreciates the majesty movies are capable of, the way they can fool us into thinking we’ve been transported into another galaxy, and for anyone who wants to see things they’ve never seen before. Interstellar is the most mercilessly awe-inducing. Even if you gag on its payload of sentiment, as many have and shall, it is the film of 2014 that demands to be experienced on the biggest screen available. Nolan would prefer that you see it in 70mm IMAX if you can; Paramount is making a well-publicized exception to its recent switch to ...